The post The Metamorphosis appeared first on Book.io.

The epic adventure starts with a foreword where Merritt is assigned the duty to relay Dr. Walter T. Goodwin’s incredible tale of his encounter in the Trans-Himalayan mountains to the world, to let everyone know the terrible fate Goodwin’s group barely escaped and the possibility of other such monsters out there.

The post The Metal Monster appeared first on Book.io.

Lloyd Osbourne, Stevenson’s stepson, wrote: “I don’t believe that there was ever such a literary feat before as the writing of Dr. Jekyll. I remember the first reading as though it were yesterday. Louis came downstairs in a fever; read nearly half the book aloud; and then, while we were still gasping, he was away again, and busy writing. I doubt if the first draft took so long as three days.”

Inspiration may also have come from the writer’s friendship with an Edinburgh-based French teacher, Eugene Chantrelle, who was convicted and executed for the murder of his wife in May 1878. Chantrelle, who had appeared to lead a normal life in the city, poisoned his wife with opium. According to author Jeremy Hodges, Stevenson was present throughout the trial and as “the evidence unfolded he found himself, like Dr. Jekyll, ‘aghast before the acts of Edward Hyde’.” Moreover, it was believed that the teacher had committed other murders both in France and Britain by poisoning his victims at supper parties with a “favourite dish of toasted cheese and opium”

The post The Strange Case of Dr. Jekyll and Mr. Hyde appeared first on Book.io.

Dracula was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker’s notes mention neither figure. He found the name Dracula in Whitby’s public library while holidaying there, picking it because he thought it meant devil in Romanian.

Following its publication, Dracula was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of Gothic fiction were common, including its structural similarity to Wilkie Collins’ The Woman in White (1859). In the past century, Dracula has been situated as a piece of Gothic fiction. Modern scholars explore the novel within its historical context—the Victorian era—and discuss its depiction of gender roles, sexuality, and race.

Dracula is one of the most famous pieces of English literature. Many of the book’s characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.

The post Dracula appeared first on Book.io.

— Washington Irving, “The Legend of Sleepy Hollow”

The story is set in 1790 in the countryside around the Dutch settlement of Tarry Town (historical Tarrytown, New York), in a secluded glen known as Sleepy Hollow. Sleepy Hollow is renowned for its ghosts and the haunting atmosphere that pervades the imaginations of its inhabitants and visitors. Some residents say this town was bewitched during the early days of the Dutch settlement, while others claim that the mysterious atmosphere was caused by an old Native American chief, the “wizard of his tribe … before the country was discovered by Master Hendrik Hudson.” Residents of the town are seemingly subjected to various supernatural and mysterious occurrences. They are subjected to trance-like visions and frequented by strange sights, music, and voices “in the air.” The inhabitants of Sleepy Hollow are fascinated by the “local tales, haunted spots, and twilight superstitions” on account of the mysterious occurrences and haunting atmosphere. The most infamous spectre in the Hollow, and the “commander-in-chief of all the powers of the air,” is the Headless Horseman. He is supposedly the restless ghost of a Hessian trooper whose head had been shot off by a stray cannonball during “some nameless battle” of the Revolution, and who “rides forth to the scene of battle in nightly quest of his head”.

The post The Legend of Sleepy Hollow appeared first on Book.io.

The expedition leaves Brooklyn aboard the United States Navy frigate Abraham Lincoln, then travels south around Cape Horn into the Pacific Ocean. After a five-month search ending off Japan, the frigate locates and attacks the monster, which damages the ship’s rudder. Aronnax and Land are hurled into the sea, and Conseil jumps into the water after them. They survive by climbing onto the “monster”, which, they are startled to find, is a futuristic submarine. They wait on the deck of the vessel until morning, when they are captured, hauled inside, and introduced to the submarine’s mysterious constructor and commander, Captain Nemo.

The post Twenty Thousand Leagues Under the Sea appeared first on Book.io.

Scholars have debated whether Beowulf was transmitted orally, affecting its interpretation: if it was composed early, in pagan times, then the paganism is central and the Christian elements were added later, whereas if it was composed later, in writing, by a Christian, then the pagan elements could be decorative archaising; some scholars also hold an intermediate position. Beowulf is written mostly in the West Saxon dialect of Old English, but many other dialectal forms are present, suggesting that the poem may have had a long and complex transmission throughout the dialect areas of England.

There has long been research into similarities with other traditions and accounts, including the Icelandic Grettis saga, the Norse story of Hrolf Kraki and his bear-shapeshifting servant Bodvar Bjarki, the international folktale the Bear’s Son Tale, and the Irish folktale of the Hand and the Child. Persistent attempts have been made to link Beowulf to tales from Homer’s Odyssey or Virgil’s Aeneid. More definite are Biblical parallels, with clear allusions to the books of Genesis, Exodus, and Daniel.

The poem survives in a single copy in the manuscript known as the Nowell Codex. It has no title in the original manuscript, but has become known by the name of the story’s protagonist. In 1731, the manuscript was damaged by a fire that swept through Ashburnham House in London, which was housing Sir Robert Cotton’s collection of medieval manuscripts. It survived, but the margins were charred, and some readings were lost. The Nowell Codex is housed in the British Library. The poem was first transcribed in 1786; some verses were first translated into modern English in 1805, and nine complete translations were made in the 19th century, including those by John Mitchell Kemble and William Morris. After 1900, hundreds of translations, whether into prose, rhyming verse, or alliterative verse were made, some relatively faithful, some archaising, some attempting to domesticate the work. Among the best-known modern translations are those of Edwin Morgan, Burton Raffel, Michael J. Alexander, Roy Liuzza, and Seamus Heaney. The difficulty of translating Beowulf has been explored by scholars including J. R. R. Tolkien (in his essay “On Translating Beowulf“), who worked on a verse and a prose translation of his own.

The post Beowulf appeared first on Book.io.

Melville began writing Moby-Dick in February 1850 and finished 18 months later, a year after he had anticipated. Melville drew on his experience as a common sailor from 1841 to 1844, including on whalers, and on wide reading in whaling literature. The white whale is modeled on a notoriously hard-to-catch albino whale Mocha Dick, and the book’s ending is based on the sinking of the whaleship Essex in 1820. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. The book’s literary influences include Shakespeare, Carlyle and the Bible. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry, and catalogs to Shakespearean stage directions, soliloquies, and asides. In August 1850, with the manuscript perhaps half finished, he met Nathaniel Hawthorne and was deeply impressed by his Mosses from an Old Manse, which he compared to Shakespeare in its cosmic ambitions. This encounter may have inspired him to revise and deepen Moby-Dick, which is dedicated to Hawthorne, “in token of my admiration for his genius”.

The book was first published (in three volumes) as The Whale in London in October 1851, and under its definitive title, Moby-Dick, or, The Whale, in a single-volume edition in New York in November. The London publisher, Richard Bentley, censored or changed sensitive passages; Melville made revisions as well, including a last-minute change of the title for the New York edition. The whale, however, appears in the text of both editions as “Moby Dick”, without the hyphen. Reviewers in Britain were largely favorable, though some objected that the tale seemed to be told by a narrator who perished with the ship, as the British edition lacked the epilogue recounting Ishmael’s survival. American reviewers were more hostile.

The post Moby Dick appeared first on Book.io.

The book’s plot was similar to numerous works of invasion literature which were published around the same period, and has been variously interpreted as a commentary on the theory of evolution, British colonialism, and Victorian-era fears, superstitions and prejudices. Wells later noted that an inspiration for the plot was the catastrophic effect of European colonisation on the Aboriginal Tasmanians; some historians have argued that Wells wrote the book in part to encourage his readership to question the morality of imperialism. At the time of the book’s publication, it was classified as a scientific romance, like Wells’s earlier novel The Time Machine.

The War of the Worlds has been both popular (having never been out of print) and influential, spawning half a dozen feature films, radio dramas, a record album, various comic book adaptations, a number of television series, and sequels or parallel stories by other authors. It was most memorably dramatized in a 1938 radio program directed by and starring Orson Welles that allegedly caused public panic among listeners who did not know the book’s events were fictional. The novel has even influenced the work of scientists, notably Robert H. Goddard, who, inspired by the book, helped develop both the liquid-fuelled rocket and multistage rocket, which resulted in the Apollo 11 Moon landing 71 years later.

The post War of the Worlds appeared first on Book.io.

Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy B. Shelley. In 1816 Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made.

Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued for regarding it as the first true science-fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states, the central character “makes a deliberate decision” and “turns to modern experiments in the laboratory” to achieve fantastic results. The novel has had a considerable influence on literature and on popular culture; it has spawned a complete genre of horror stories, films, and plays.

Since the publication of the novel, the name “Frankenstein” has often been used, erroneously, to refer to the monster, rather than to his creator/father.

The post Frankenstein appeared first on Book.io.